In fact, many living during Japan’s Edo period, which stretched from the early 1600s to about 1868, recognized a third gender centuries ago. Here’s what is coming to Netflix in August, Traditional Puppet Theatre company HACHIOJI KURUMA NINGYO from Japan coming to Toronto, There’s a #GoldOpen movement in support of Crazy Rich Asians, Audible.ca launches Chinese audiobooks just in time for Chinese New Year, 8 minute catch up with the amazing Emily Piggford, Game On! My specialist area is children's clothing.... From today, Friday 25 May 2018, the new General Data Protection Regulation (GDPR) comes into effect, replacing the 1998 Data Protection Act.
There are thoughtful interactives which provide visitors with the opportunity to voice their thoughts on gender and contribute to a broader discussion on gender identity.
Along side the exhibition several lectures and events have been scheduled and we’ve attended several already including an evening discovering the Elements of Sake, a Friday Night Live (FNLROM) party, and recently we attended an evening with internationally renowned scholar Dr. Joshua Mostow, who delved deeper into the significance of the wakashu.
Contemporary pronouns, language and terminology were not used to describe or explain Edo’s gender roles. This exhibition does a fantastic job of introducing and identifying the wakashu, as well as presenting their unique ‘sexually ambidextrous’ role within the framework of the Edo social strata. Although the focus is on Wakashu as “a third gender”, one that does not belong to either male or female but to its own androgenious particular self, the show is more about the total affirmation of sexual pleasure i.e. The two characters together seen as Wakashu actually translates to young and companions. The exhibition sadly contains few personal artefacts from the Edo period with none directly owned by a wakashu. How old were wakashu? Over a few glasses of wine, we started milling about the idea of a new blog site that captures the lifestyle of us and our friends.
I came to be reviewing ‘A Third Gender’ exhibition in Toronto thanks to the support of the ACDP training fund and the V&A Museum of Childhood. ", Wakashu with a Shoulder-Drum, Hosoda Eisui, late 18th-early 19th century, Courtesy of the Royal Ontario Museum, ©ROM. In practical terms ‘A Third Gender’ is a great case study of how to make the most of your museum’s collection.
Wakashu properly referred to a boy between the ages at which his head was partially shaven, at which point a boy exited early childhood and could begin formal education, apprenticeship, or employment outside the home, and the genpuku coming of age ceremony, which marked the transition to adulthood. The exhibition offers insight to the “Wakashu” also known as young companions – a widely accepted third gender during the Edo period. It was produced in-house with limited resources and in a restricted space. 1850s, Courtesy of the Royal Ontario Museum, ©ROM.
A Third Gender: Beautiful Youths in Japanese Prints is open now through to November 27, 2016. His research focuses on text-image relations in pre-modern Japanese culture, as well as representations of gender and sexuality in the same period.
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